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Drácula Barcelona

as Himself

2017
The Rhythm of Jess

as Self

2013
Macumba Sexual

as Recepcionist

1983
Sex Is Crazy

as Film Director

1981
Sadomania

as Lucas

1981
The Sadist of Notre Dame

as Mathis Vogel

1979
Greta, the Mad Butcher

as Dr. Milton Arcos (as Jess Franco)

1979
Slaves

as Radeck's Assistant

1977
Midnight Party

as Janos Radeck

1976
Exorcism

as Mathis Vogel, aka Laforgue (as Jess Frank)

1975
The Hot Nights of Linda

as Dr. Roberts (as Jess Franck)

1975
Celestine

as Sleeping Man

1974
Eugenie de Sade

as Attila Tanner

1973
Female Vampire

as Dr. Roberts

1973
Daughter of Dracula

as Cyril Jefferson

1972
Vampyros Lesbos

as Memmet

1971
She Killed in Ecstasy

as Dr. Donen

1971
The Castle of Fu Manchu

as Insp. Ahmet

1972
Venus in Furs

as Jazz Musician (uncredited)

1969
Succubus

as Writer

1968
The Diabolical Dr. Z

as Inspector Tanner

1967
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Jesús Franco Jesús Franco

Birthday

1930-05-12

Place of Birth

Madrid, Spain

Biography

Jesús "Jess" Franco was a Spanish film director, writer, cinematographer and actor. His career took off in 1961 with his cult classic The Awful Dr. Orloff, which received wide distribution in the United States and England. Though he had some American box office success with Necronomicon, his first women-in-prison film Ninety-Nine Women, and his two Christopher Lee films, The Bloody Judge and Count Dracula, he never achieved wide commercial success. Franco moved from Spain to France in 1970 so that he could make more violent and sexual films, and it was at this point that his career began to go downhill commercially, as he turned to low-budget filmmaking with a heavier accent on adult-oriented films. Although he produced a few well-received, low budget horror films in the early 70's, many people in the industry considered him a porn director due to the huge number of X-rated adult films he began churning out. Franco returned to low-budget horror in a brief comeback period from 1980-1983, but after 1983, his career took a second downturn. With the exception of his Faceless and Killer Barbys, his post-1984 films are almost unwatchable due to the incredibly low budgets he was forced to work with. Franco has nevertheless retained a large cult following through the years with his sexually-charged horror films, some of which are regarded as masterpieces by his avid followers.
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