45th Parallel

45th Parallel focuses on the Haskell Free Library and Opera House—a unique municipal site between the jurisdictions of Canada and the United States. Constructed in 1904 under the patronage of the local Haskell family, this building was deliberately designed to straddle the frontier between Canada and the US as a symbolic act of unity in the transnational town of Stanstead. The performance about one border conflict is set on the site of a grey legal area and looks at how each border implicates the other, and how borders are not lines but, rather, richly layered spaces. 45th Parallel focuses on the Haskell Free Library and Opera House—a unique municipal site between the jurisdictions of Canada and the United States. Constructed in 1904 under the patronage of the local Haskell family, this building was deliberately designed to straddle the frontier between Canada and the US as a symbolic act of unity in the transnational town of Stanstead. The performance about one border conflict is set on the site of a grey legal area and looks at how each border implicates the other, and how borders are not lines but, rather, richly layered spaces. 45th Parallel focuses on the Haskell Free Library and Opera House—a unique municipal site between the jurisdictions of Canada and the United States. Constructed in 1904 under the patronage of the local Haskell family, this building was deliberately designed to straddle the frontier between Canada and the US as a symbolic act of unity in the transnational town of Stanstead. The performance about one border conflict is set on the site of a grey legal area and looks at how each border implicates the other, and how borders are not lines but, rather, richly layered spaces. 45th Parallel focuses on the Haskell Free Library and Opera House—a unique municipal site between the jurisdictions of Canada and the United States. Constructed in 1904 under the patronage of the local Haskell family, this building was deliberately designed to straddle the frontier between Canada and the US as a symbolic act of unity in the transnational town of Stanstead. The performance about one border conflict is set on the site of a grey legal area and looks at how each border implicates the other, and how borders are not lines but, rather, richly layered spaces.