A Place without Fear

Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit. Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit. Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit. Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit.