Ad Hominem

Utilizing backdrops from Simon Fraser University with words from the poet Chantal Gibson's Ad Hominem, the film reflects on colonization in Canada, especially in the ways their influence permeates in formative institutions like colleges. Done through the lens of a photographer, it encroaches on the frustration between colonial erasure and gauging one's participation in that erasure, whether by complicit involvement, ignorance, or inaction Utilizing backdrops from Simon Fraser University with words from the poet Chantal Gibson's Ad Hominem, the film reflects on colonization in Canada, especially in the ways their influence permeates in formative institutions like colleges. Done through the lens of a photographer, it encroaches on the frustration between colonial erasure and gauging one's participation in that erasure, whether by complicit involvement, ignorance, or inaction Utilizing backdrops from Simon Fraser University with words from the poet Chantal Gibson's Ad Hominem, the film reflects on colonization in Canada, especially in the ways their influence permeates in formative institutions like colleges. Done through the lens of a photographer, it encroaches on the frustration between colonial erasure and gauging one's participation in that erasure, whether by complicit involvement, ignorance, or inaction Utilizing backdrops from Simon Fraser University with words from the poet Chantal Gibson's Ad Hominem, the film reflects on colonization in Canada, especially in the ways their influence permeates in formative institutions like colleges. Done through the lens of a photographer, it encroaches on the frustration between colonial erasure and gauging one's participation in that erasure, whether by complicit involvement, ignorance, or inaction