Angelo, tyran de Padoue

By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons