Bending to Earth

The film Bending to Earth is a further investigation into inscriptions and transformations of society manifested in the landscape. Several radioactive fields are circled by a hand camera in a helicopter, while a recorded voice-over which appears through several—often distorted—world radio stations describes the materials of those constructions and opens up a mediation of order systems and landscape archives. The fields represent a sort of alphabet of an image engineered in the earth; the camera is an observer of this document and its relation to reality, not just as a pre-existent form but as a potential or imagined object—the part that remains behind the scene, the break within the narrative. The film Bending to Earth is a further investigation into inscriptions and transformations of society manifested in the landscape. Several radioactive fields are circled by a hand camera in a helicopter, while a recorded voice-over which appears through several—often distorted—world radio stations describes the materials of those constructions and opens up a mediation of order systems and landscape archives. The fields represent a sort of alphabet of an image engineered in the earth; the camera is an observer of this document and its relation to reality, not just as a pre-existent form but as a potential or imagined object—the part that remains behind the scene, the break within the narrative. The film Bending to Earth is a further investigation into inscriptions and transformations of society manifested in the landscape. Several radioactive fields are circled by a hand camera in a helicopter, while a recorded voice-over which appears through several—often distorted—world radio stations describes the materials of those constructions and opens up a mediation of order systems and landscape archives. The fields represent a sort of alphabet of an image engineered in the earth; the camera is an observer of this document and its relation to reality, not just as a pre-existent form but as a potential or imagined object—the part that remains behind the scene, the break within the narrative. The film Bending to Earth is a further investigation into inscriptions and transformations of society manifested in the landscape. Several radioactive fields are circled by a hand camera in a helicopter, while a recorded voice-over which appears through several—often distorted—world radio stations describes the materials of those constructions and opens up a mediation of order systems and landscape archives. The fields represent a sort of alphabet of an image engineered in the earth; the camera is an observer of this document and its relation to reality, not just as a pre-existent form but as a potential or imagined object—the part that remains behind the scene, the break within the narrative.