Bob Mould & Fred Armisen: Come What May - Hardly Strictly Bluegrass

“I was thrilled when the Hardly Strictly folks asked me to perform for this year’s online series,” Mould said. “They wondered if I had a colleague who might be able to help out on a few songs, and I immediately thought of my good friend, Fred Armisen — he wrote the foreword for DISTORTION — and fortunately he was available on ‘tape day.’ Fred drove up from Los Angeles, we rehearsed the entire set at soundcheck, and then ran the set a second time for the cameras. I love it when things come together so easily, and we’re both really happy with the performance.” “I was thrilled when the Hardly Strictly folks asked me to perform for this year’s online series,” Mould said. “They wondered if I had a colleague who might be able to help out on a few songs, and I immediately thought of my good friend, Fred Armisen — he wrote the foreword for DISTORTION — and fortunately he was available on ‘tape day.’ Fred drove up from Los Angeles, we rehearsed the entire set at soundcheck, and then ran the set a second time for the cameras. I love it when things come together so easily, and we’re both really happy with the performance.” “I was thrilled when the Hardly Strictly folks asked me to perform for this year’s online series,” Mould said. “They wondered if I had a colleague who might be able to help out on a few songs, and I immediately thought of my good friend, Fred Armisen — he wrote the foreword for DISTORTION — and fortunately he was available on ‘tape day.’ Fred drove up from Los Angeles, we rehearsed the entire set at soundcheck, and then ran the set a second time for the cameras. I love it when things come together so easily, and we’re both really happy with the performance.” “I was thrilled when the Hardly Strictly folks asked me to perform for this year’s online series,” Mould said. “They wondered if I had a colleague who might be able to help out on a few songs, and I immediately thought of my good friend, Fred Armisen — he wrote the foreword for DISTORTION — and fortunately he was available on ‘tape day.’ Fred drove up from Los Angeles, we rehearsed the entire set at soundcheck, and then ran the set a second time for the cameras. I love it when things come together so easily, and we’re both really happy with the performance.”