Choral Concert

The Leslie Bell Singers work during the day and rehearse at night for the joy they find in singing. Here they present widely differing numbers: Echo Song from 16th-century Italy is followed by the Québec folk song Quand j'étais chez mon père; the black spiritual I Couldn't Hear Nobody Pray contrasts with I'se the Boy That Builds the Boat, from the fishing hamlets of Newfoundland; and finally a special arrangement of Schubert's Ave Maria. The Leslie Bell Singers work during the day and rehearse at night for the joy they find in singing. Here they present widely differing numbers: Echo Song from 16th-century Italy is followed by the Québec folk song Quand j'étais chez mon père; the black spiritual I Couldn't Hear Nobody Pray contrasts with I'se the Boy That Builds the Boat, from the fishing hamlets of Newfoundland; and finally a special arrangement of Schubert's Ave Maria. The Leslie Bell Singers work during the day and rehearse at night for the joy they find in singing. Here they present widely differing numbers: Echo Song from 16th-century Italy is followed by the Québec folk song Quand j'étais chez mon père; the black spiritual I Couldn't Hear Nobody Pray contrasts with I'se the Boy That Builds the Boat, from the fishing hamlets of Newfoundland; and finally a special arrangement of Schubert's Ave Maria. The Leslie Bell Singers work during the day and rehearse at night for the joy they find in singing. Here they present widely differing numbers: Echo Song from 16th-century Italy is followed by the Québec folk song Quand j'étais chez mon père; the black spiritual I Couldn't Hear Nobody Pray contrasts with I'se the Boy That Builds the Boat, from the fishing hamlets of Newfoundland; and finally a special arrangement of Schubert's Ave Maria.