City Deep

In City Deep, the “zama zama” miners and the landscape merge into artworks hanging in the Johannesburg Art Gallery, itself built during the heyday of gold mining in Johannesburg. Wandering the exhibition spaces is a deeply contemplative Soho Eckstein, gazing at the artworks and into vitrines. Towards the end of the film the gallery collapses in on itself, an imagined demise of an institution in a state of increasing dereliction. In City Deep, the “zama zama” miners and the landscape merge into artworks hanging in the Johannesburg Art Gallery, itself built during the heyday of gold mining in Johannesburg. Wandering the exhibition spaces is a deeply contemplative Soho Eckstein, gazing at the artworks and into vitrines. Towards the end of the film the gallery collapses in on itself, an imagined demise of an institution in a state of increasing dereliction. In City Deep, the “zama zama” miners and the landscape merge into artworks hanging in the Johannesburg Art Gallery, itself built during the heyday of gold mining in Johannesburg. Wandering the exhibition spaces is a deeply contemplative Soho Eckstein, gazing at the artworks and into vitrines. Towards the end of the film the gallery collapses in on itself, an imagined demise of an institution in a state of increasing dereliction. In City Deep, the “zama zama” miners and the landscape merge into artworks hanging in the Johannesburg Art Gallery, itself built during the heyday of gold mining in Johannesburg. Wandering the exhibition spaces is a deeply contemplative Soho Eckstein, gazing at the artworks and into vitrines. Towards the end of the film the gallery collapses in on itself, an imagined demise of an institution in a state of increasing dereliction.