Dans un rectangle absolu, le printemps

In Quebec, as everywhere around the world, the Spring of 2020 was drastically changed by the Covid 19 pandemic. I decided to make the most of this extraordinary period by putting the disruption caused to the season of rebirth into images in a short animated film. Using my scanner to animate an assortment of flowers gathered from my neighbourhood and objects from my daily life allowed me to cast a distanced and light-hearted eye at this anxiety inducing global situation. The black, rectangular surface of the scanner is the sole backdrop of the film, like a representation of our confinement within four walls.” In Quebec, as everywhere around the world, the Spring of 2020 was drastically changed by the Covid 19 pandemic. I decided to make the most of this extraordinary period by putting the disruption caused to the season of rebirth into images in a short animated film. Using my scanner to animate an assortment of flowers gathered from my neighbourhood and objects from my daily life allowed me to cast a distanced and light-hearted eye at this anxiety inducing global situation. The black, rectangular surface of the scanner is the sole backdrop of the film, like a representation of our confinement within four walls.” In Quebec, as everywhere around the world, the Spring of 2020 was drastically changed by the Covid 19 pandemic. I decided to make the most of this extraordinary period by putting the disruption caused to the season of rebirth into images in a short animated film. Using my scanner to animate an assortment of flowers gathered from my neighbourhood and objects from my daily life allowed me to cast a distanced and light-hearted eye at this anxiety inducing global situation. The black, rectangular surface of the scanner is the sole backdrop of the film, like a representation of our confinement within four walls.” In Quebec, as everywhere around the world, the Spring of 2020 was drastically changed by the Covid 19 pandemic. I decided to make the most of this extraordinary period by putting the disruption caused to the season of rebirth into images in a short animated film. Using my scanner to animate an assortment of flowers gathered from my neighbourhood and objects from my daily life allowed me to cast a distanced and light-hearted eye at this anxiety inducing global situation. The black, rectangular surface of the scanner is the sole backdrop of the film, like a representation of our confinement within four walls.”