Denials, Decoys

With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times. With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times. With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times. With the erasure of fingertips as a point of departure, Denials, Decoys takes the idea of a cut on the body and obfuscates it within the cut of the moving image. The result is disorienting, alienating and freeing. Like those seeking total anonymity within a culture of absolute control and surveillance, we spectators dissolve ourselves into shadowy rooms set to broken time, false time, end times.