Der Kotzbrocken

Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively. Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively. Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively. Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.