Dos

In Madrid, inside a middle-class apartment, through a succession of dialogues, the young Luis and Julia act as lovers, friends, brothers, husband and wife. Dos is one of the most radical examples of non-narrative cinema in cinematography, not just Spanish, but worldwide. In Madrid, inside a middle-class apartment, through a succession of dialogues, the young Luis and Julia act as lovers, friends, brothers, husband and wife. Dos is one of the most radical examples of non-narrative cinema in cinematography, not just Spanish, but worldwide. In Madrid, inside a middle-class apartment, through a succession of dialogues, the young Luis and Julia act as lovers, friends, brothers, husband and wife. Dos is one of the most radical examples of non-narrative cinema in cinematography, not just Spanish, but worldwide. In Madrid, inside a middle-class apartment, through a succession of dialogues, the young Luis and Julia act as lovers, friends, brothers, husband and wife. Dos is one of the most radical examples of non-narrative cinema in cinematography, not just Spanish, but worldwide.