Golden Jubilee

In Golden Jubilee, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region. In Golden Jubilee, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region. In Golden Jubilee, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region. In Golden Jubilee, Sanzgiri reconsiders ideas of freedom, loss and recovery in the wake of colonial and neo-colonial theft. The film asks us to consider “what is liberation when so much has been lost?” Reflecting on the contradictions in the pursuit of ‘preservation’, the filmmaker creates a 3d virtual rendering of his father’s home in Goa using the same technologies of surveillance that mining companies use to extract iron ore in the region.