How I Threw Art Out The Window

In this experimental short from filmmaker Gaylene Preston, a no-nonsense hitchhiker is subjected to the ramblings of a deeply philosophical driver. Impressively, Peter Cathro delivers the long, stream of consciousness ramble in a single take — while actor Shirley Grace manages to keep a straight face throughout. The driver's musings on art, society and creative expression cannot be quashed (even by a kiss), and it becomes too much to bear for the hitchhiker, who just wants to get to Taihape. Filmed in a lo-fi style, this screened at The Women’s Gallery in Wellington as part of 1981 exhibition Sexxuality. In this experimental short from filmmaker Gaylene Preston, a no-nonsense hitchhiker is subjected to the ramblings of a deeply philosophical driver. Impressively, Peter Cathro delivers the long, stream of consciousness ramble in a single take — while actor Shirley Grace manages to keep a straight face throughout. The driver's musings on art, society and creative expression cannot be quashed (even by a kiss), and it becomes too much to bear for the hitchhiker, who just wants to get to Taihape. Filmed in a lo-fi style, this screened at The Women’s Gallery in Wellington as part of 1981 exhibition Sexxuality. In this experimental short from filmmaker Gaylene Preston, a no-nonsense hitchhiker is subjected to the ramblings of a deeply philosophical driver. Impressively, Peter Cathro delivers the long, stream of consciousness ramble in a single take — while actor Shirley Grace manages to keep a straight face throughout. The driver's musings on art, society and creative expression cannot be quashed (even by a kiss), and it becomes too much to bear for the hitchhiker, who just wants to get to Taihape. Filmed in a lo-fi style, this screened at The Women’s Gallery in Wellington as part of 1981 exhibition Sexxuality. In this experimental short from filmmaker Gaylene Preston, a no-nonsense hitchhiker is subjected to the ramblings of a deeply philosophical driver. Impressively, Peter Cathro delivers the long, stream of consciousness ramble in a single take — while actor Shirley Grace manages to keep a straight face throughout. The driver's musings on art, society and creative expression cannot be quashed (even by a kiss), and it becomes too much to bear for the hitchhiker, who just wants to get to Taihape. Filmed in a lo-fi style, this screened at The Women’s Gallery in Wellington as part of 1981 exhibition Sexxuality.