How to Film in Africa!

This film essay about cinematographic methods of conquering the African continent uses excerpts from letters exchanged between Zlín and Nairobi between the head of the film group Jaroslav Novotný and the travel and filmmaking duo Miroslav Zikmund and Jiří Hanzelka. The subtle manipulation of the footage from their film Africa I. – From Morocco to Kilimanjaro (1952) highlights the subversive potential of the gaze fixed directly on the camera. This film essay about cinematographic methods of conquering the African continent uses excerpts from letters exchanged between Zlín and Nairobi between the head of the film group Jaroslav Novotný and the travel and filmmaking duo Miroslav Zikmund and Jiří Hanzelka. The subtle manipulation of the footage from their film Africa I. – From Morocco to Kilimanjaro (1952) highlights the subversive potential of the gaze fixed directly on the camera. This film essay about cinematographic methods of conquering the African continent uses excerpts from letters exchanged between Zlín and Nairobi between the head of the film group Jaroslav Novotný and the travel and filmmaking duo Miroslav Zikmund and Jiří Hanzelka. The subtle manipulation of the footage from their film Africa I. – From Morocco to Kilimanjaro (1952) highlights the subversive potential of the gaze fixed directly on the camera. This film essay about cinematographic methods of conquering the African continent uses excerpts from letters exchanged between Zlín and Nairobi between the head of the film group Jaroslav Novotný and the travel and filmmaking duo Miroslav Zikmund and Jiří Hanzelka. The subtle manipulation of the footage from their film Africa I. – From Morocco to Kilimanjaro (1952) highlights the subversive potential of the gaze fixed directly on the camera.