i don't like dogmatic toys

Composed entirely of phone video, the film is a travelogue of time spent in Kansas City, MO and Denver, CO, in 2016. As with his singular "flash memoir" writing technique (see "Sparse Black Whimsy: A Memoir") msw's filmmaking invites the viewer into intimate, unexpected fragments of friendship and music, redefining the memoir in the process. Composed entirely of phone video, the film is a travelogue of time spent in Kansas City, MO and Denver, CO, in 2016. As with his singular "flash memoir" writing technique (see "Sparse Black Whimsy: A Memoir") msw's filmmaking invites the viewer into intimate, unexpected fragments of friendship and music, redefining the memoir in the process. Composed entirely of phone video, the film is a travelogue of time spent in Kansas City, MO and Denver, CO, in 2016. As with his singular "flash memoir" writing technique (see "Sparse Black Whimsy: A Memoir") msw's filmmaking invites the viewer into intimate, unexpected fragments of friendship and music, redefining the memoir in the process. Composed entirely of phone video, the film is a travelogue of time spent in Kansas City, MO and Denver, CO, in 2016. As with his singular "flash memoir" writing technique (see "Sparse Black Whimsy: A Memoir") msw's filmmaking invites the viewer into intimate, unexpected fragments of friendship and music, redefining the memoir in the process.