Identification

The hero of the film consciously goes to extreme actions and analysis of the psychological process, where subconscious pictures of visions and discoveries give grounds for real fears for the future of humanity. The semantic and pictorial fabric of the film develops against the background of deep retrospectives about the emergence of Christianity. The film was shot in 1991 by actor Nikolai Kochegarov in Minsk. The hero of the film consciously goes to extreme actions and analysis of the psychological process, where subconscious pictures of visions and discoveries give grounds for real fears for the future of humanity. The semantic and pictorial fabric of the film develops against the background of deep retrospectives about the emergence of Christianity. The film was shot in 1991 by actor Nikolai Kochegarov in Minsk. The hero of the film consciously goes to extreme actions and analysis of the psychological process, where subconscious pictures of visions and discoveries give grounds for real fears for the future of humanity. The semantic and pictorial fabric of the film develops against the background of deep retrospectives about the emergence of Christianity. The film was shot in 1991 by actor Nikolai Kochegarov in Minsk. The hero of the film consciously goes to extreme actions and analysis of the psychological process, where subconscious pictures of visions and discoveries give grounds for real fears for the future of humanity. The semantic and pictorial fabric of the film develops against the background of deep retrospectives about the emergence of Christianity. The film was shot in 1991 by actor Nikolai Kochegarov in Minsk.