Invisible to the Eye

The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route. The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route. The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route. The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route.