It's Not The Image, It's The Object

“How many hours could you spend watching this card?”, Pedro P. tells José Sirgado on the film ARREBATO (Rapture, Ivan Zulueta). I keep also my favorite album from my childhood. It’s called “Man, Races and Customs”. Every page reveals new interpretations, sometimes they are imprecise and weird about who we are and what the world is. – Andrés Duque. “How many hours could you spend watching this card?”, Pedro P. tells José Sirgado on the film ARREBATO (Rapture, Ivan Zulueta). I keep also my favorite album from my childhood. It’s called “Man, Races and Customs”. Every page reveals new interpretations, sometimes they are imprecise and weird about who we are and what the world is. – Andrés Duque. “How many hours could you spend watching this card?”, Pedro P. tells José Sirgado on the film ARREBATO (Rapture, Ivan Zulueta). I keep also my favorite album from my childhood. It’s called “Man, Races and Customs”. Every page reveals new interpretations, sometimes they are imprecise and weird about who we are and what the world is. – Andrés Duque. “How many hours could you spend watching this card?”, Pedro P. tells José Sirgado on the film ARREBATO (Rapture, Ivan Zulueta). I keep also my favorite album from my childhood. It’s called “Man, Races and Customs”. Every page reveals new interpretations, sometimes they are imprecise and weird about who we are and what the world is. – Andrés Duque.