Jikuu Bouken Doctor Who

A short piece involving the Third Doctor, drawn and animated entirely in the anime style of the 1980s (ala Bubblegum Crisis, Macross, etc.) by sometimes-controversial translator/artist Paul "OtaKing" Johnson. As the entire project (background art and hundreds of frames worth of actual animation) was undertaken by a single person, the piece was only twelve and a half minutes long. To this end, Johnson opted to present it in a kind of "next time" episode trailer format, evoking the feel of a teaser for a Doctor Who animation if one had been produced in Japan during the peak of the country's economic boom. A short piece involving the Third Doctor, drawn and animated entirely in the anime style of the 1980s (ala Bubblegum Crisis, Macross, etc.) by sometimes-controversial translator/artist Paul "OtaKing" Johnson. As the entire project (background art and hundreds of frames worth of actual animation) was undertaken by a single person, the piece was only twelve and a half minutes long. To this end, Johnson opted to present it in a kind of "next time" episode trailer format, evoking the feel of a teaser for a Doctor Who animation if one had been produced in Japan during the peak of the country's economic boom. A short piece involving the Third Doctor, drawn and animated entirely in the anime style of the 1980s (ala Bubblegum Crisis, Macross, etc.) by sometimes-controversial translator/artist Paul "OtaKing" Johnson. As the entire project (background art and hundreds of frames worth of actual animation) was undertaken by a single person, the piece was only twelve and a half minutes long. To this end, Johnson opted to present it in a kind of "next time" episode trailer format, evoking the feel of a teaser for a Doctor Who animation if one had been produced in Japan during the peak of the country's economic boom. A short piece involving the Third Doctor, drawn and animated entirely in the anime style of the 1980s (ala Bubblegum Crisis, Macross, etc.) by sometimes-controversial translator/artist Paul "OtaKing" Johnson. As the entire project (background art and hundreds of frames worth of actual animation) was undertaken by a single person, the piece was only twelve and a half minutes long. To this end, Johnson opted to present it in a kind of "next time" episode trailer format, evoking the feel of a teaser for a Doctor Who animation if one had been produced in Japan during the peak of the country's economic boom.