La fine – The End

Ex-architect PATRICK KEILLER brings a graphic and compositional sense of landscape to this complex essay film following a conceited modern-day flaneur who conjects ruminatively over images of a curiously ill-defined European landscape. From within these images of construction, roadways and the never-ending to-ing and fro-ing of Europe's numerous train stations, can be glimpsed the visage of the old Europe, defined by borders, varied cultures and a distinct sense of place. Ex-architect PATRICK KEILLER brings a graphic and compositional sense of landscape to this complex essay film following a conceited modern-day flaneur who conjects ruminatively over images of a curiously ill-defined European landscape. From within these images of construction, roadways and the never-ending to-ing and fro-ing of Europe's numerous train stations, can be glimpsed the visage of the old Europe, defined by borders, varied cultures and a distinct sense of place. Ex-architect PATRICK KEILLER brings a graphic and compositional sense of landscape to this complex essay film following a conceited modern-day flaneur who conjects ruminatively over images of a curiously ill-defined European landscape. From within these images of construction, roadways and the never-ending to-ing and fro-ing of Europe's numerous train stations, can be glimpsed the visage of the old Europe, defined by borders, varied cultures and a distinct sense of place. Ex-architect PATRICK KEILLER brings a graphic and compositional sense of landscape to this complex essay film following a conceited modern-day flaneur who conjects ruminatively over images of a curiously ill-defined European landscape. From within these images of construction, roadways and the never-ending to-ing and fro-ing of Europe's numerous train stations, can be glimpsed the visage of the old Europe, defined by borders, varied cultures and a distinct sense of place.