Masters of Modern Design: The Art of the Japanese American Experience

From the hand-drawn typeface on the book cover of The Godfather to Herman Miller’s biomorphic coffee table, the work of Japanese American artists/designers including Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita, and Gyo Obata permeated American postwar culture. While these second generation Japanese American artists have been celebrated, less-discussed is the powerful effect their World War II incarceration—a period of intense hardship and discrimination—had on their lives and art. From the hand-drawn typeface on the book cover of The Godfather to Herman Miller’s biomorphic coffee table, the work of Japanese American artists/designers including Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita, and Gyo Obata permeated American postwar culture. While these second generation Japanese American artists have been celebrated, less-discussed is the powerful effect their World War II incarceration—a period of intense hardship and discrimination—had on their lives and art. From the hand-drawn typeface on the book cover of The Godfather to Herman Miller’s biomorphic coffee table, the work of Japanese American artists/designers including Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita, and Gyo Obata permeated American postwar culture. While these second generation Japanese American artists have been celebrated, less-discussed is the powerful effect their World War II incarceration—a period of intense hardship and discrimination—had on their lives and art. From the hand-drawn typeface on the book cover of The Godfather to Herman Miller’s biomorphic coffee table, the work of Japanese American artists/designers including Ruth Asawa, George Nakashima, Isamu Noguchi, S. Neil Fujita, and Gyo Obata permeated American postwar culture. While these second generation Japanese American artists have been celebrated, less-discussed is the powerful effect their World War II incarceration—a period of intense hardship and discrimination—had on their lives and art.