Missme: The Artful Vandal

A short profile doc on street artist MissMe—a sort of Banksy-esque underground figure with a feminist bent. While the short portrait documentary field is certainly overcrowded, director Mohammad Gorjestani’s film is beautifully shot and quickly paced. It’s got a certain energy that can’t be denied (much like artwork driving the film). Plus, the central character is an inspiring symbol of artistic authenticity and self-liberation. A former advertising executive, MissMe ditched her high-profile corporate day job to become a counter-voice to the objectification of women in the mainstream advertising world. Girl power, indeed. A short profile doc on street artist MissMe—a sort of Banksy-esque underground figure with a feminist bent. While the short portrait documentary field is certainly overcrowded, director Mohammad Gorjestani’s film is beautifully shot and quickly paced. It’s got a certain energy that can’t be denied (much like artwork driving the film). Plus, the central character is an inspiring symbol of artistic authenticity and self-liberation. A former advertising executive, MissMe ditched her high-profile corporate day job to become a counter-voice to the objectification of women in the mainstream advertising world. Girl power, indeed. A short profile doc on street artist MissMe—a sort of Banksy-esque underground figure with a feminist bent. While the short portrait documentary field is certainly overcrowded, director Mohammad Gorjestani’s film is beautifully shot and quickly paced. It’s got a certain energy that can’t be denied (much like artwork driving the film). Plus, the central character is an inspiring symbol of artistic authenticity and self-liberation. A former advertising executive, MissMe ditched her high-profile corporate day job to become a counter-voice to the objectification of women in the mainstream advertising world. Girl power, indeed. A short profile doc on street artist MissMe—a sort of Banksy-esque underground figure with a feminist bent. While the short portrait documentary field is certainly overcrowded, director Mohammad Gorjestani’s film is beautifully shot and quickly paced. It’s got a certain energy that can’t be denied (much like artwork driving the film). Plus, the central character is an inspiring symbol of artistic authenticity and self-liberation. A former advertising executive, MissMe ditched her high-profile corporate day job to become a counter-voice to the objectification of women in the mainstream advertising world. Girl power, indeed.