MonsterDykë

Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith Last year, Kaye Adelaide and Mariel Sharp won Best Canadian short for their incisive and charming short comedy, DON’T TEXT BACK. This year they're back with the gritty and erotic monster love story MONSTER DYKE. A transgressive portrait of desire shot on 16mm, MONSTER DYKE examines trans-lesbian love and longing with humour, heat, puppetry and a subversive twist. – Justine Smith