Muddy Track

Shot largely with a handheld camera, Neil Young's Muddy Track documents a difficult tour of Europe, plagued by poor weather, dwindling ticket sales, backstage arguments and audience riots. In an interview with MOJO in 1995, Young claimed that Muddy Track was among the favourite of all his films: "It’s dark as hell. God, it’s a heavy one! [...] But it’s funky". Shot largely with a handheld camera, Neil Young's Muddy Track documents a difficult tour of Europe, plagued by poor weather, dwindling ticket sales, backstage arguments and audience riots. In an interview with MOJO in 1995, Young claimed that Muddy Track was among the favourite of all his films: "It’s dark as hell. God, it’s a heavy one! [...] But it’s funky". Shot largely with a handheld camera, Neil Young's Muddy Track documents a difficult tour of Europe, plagued by poor weather, dwindling ticket sales, backstage arguments and audience riots. In an interview with MOJO in 1995, Young claimed that Muddy Track was among the favourite of all his films: "It’s dark as hell. God, it’s a heavy one! [...] But it’s funky". Shot largely with a handheld camera, Neil Young's Muddy Track documents a difficult tour of Europe, plagued by poor weather, dwindling ticket sales, backstage arguments and audience riots. In an interview with MOJO in 1995, Young claimed that Muddy Track was among the favourite of all his films: "It’s dark as hell. God, it’s a heavy one! [...] But it’s funky".