Muman Minggil

The Mambesak Group was active in Jayapura from 1978 to 1984. After the murder of Arnold Ap in 1984, the group, whose members were dominated by students from various regions in Papua, disbanded. Gradually, the ideas of Mambesak began to fade. With a cinema varite narrative style, this film tries to articulate the traces of the ideas of Arnold Ap and the Mambesak Group as mediators between their generation and the traces of their ancestors and Papuan culture. The Mambesak Group was active in Jayapura from 1978 to 1984. After the murder of Arnold Ap in 1984, the group, whose members were dominated by students from various regions in Papua, disbanded. Gradually, the ideas of Mambesak began to fade. With a cinema varite narrative style, this film tries to articulate the traces of the ideas of Arnold Ap and the Mambesak Group as mediators between their generation and the traces of their ancestors and Papuan culture. The Mambesak Group was active in Jayapura from 1978 to 1984. After the murder of Arnold Ap in 1984, the group, whose members were dominated by students from various regions in Papua, disbanded. Gradually, the ideas of Mambesak began to fade. With a cinema varite narrative style, this film tries to articulate the traces of the ideas of Arnold Ap and the Mambesak Group as mediators between their generation and the traces of their ancestors and Papuan culture. The Mambesak Group was active in Jayapura from 1978 to 1984. After the murder of Arnold Ap in 1984, the group, whose members were dominated by students from various regions in Papua, disbanded. Gradually, the ideas of Mambesak began to fade. With a cinema varite narrative style, this film tries to articulate the traces of the ideas of Arnold Ap and the Mambesak Group as mediators between their generation and the traces of their ancestors and Papuan culture.