MÚSICAS

Lila Avilés, the award-winning writer-director of Tótem and The Chambermaid, follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution. - MoMA Lila Avilés, the award-winning writer-director of Tótem and The Chambermaid, follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution. - MoMA Lila Avilés, the award-winning writer-director of Tótem and The Chambermaid, follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution. - MoMA Lila Avilés, the award-winning writer-director of Tótem and The Chambermaid, follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution. - MoMA