Nowhere Near

An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once. An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once. An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once. An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once.