Omen

Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them. Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them. Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them. Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.