Paint Me a Road Out of Here

In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women. In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women. In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women. In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women.