Panache

Montcerf, the last village before Abitibi. The forest, the night, the silence... twigs snap, big black boots make their way forward cautiously. The hunter on the hunt. With tenderness and simplicity, documentarian André-Line Beauparlant plunges into this world and paints the portrait of six hunters. Alternating between interviews and hunting sequences, the film overflows with breathtaking authenticity as it touches subjects such as love, death, and religion. Montcerf, the last village before Abitibi. The forest, the night, the silence... twigs snap, big black boots make their way forward cautiously. The hunter on the hunt. With tenderness and simplicity, documentarian André-Line Beauparlant plunges into this world and paints the portrait of six hunters. Alternating between interviews and hunting sequences, the film overflows with breathtaking authenticity as it touches subjects such as love, death, and religion. Montcerf, the last village before Abitibi. The forest, the night, the silence... twigs snap, big black boots make their way forward cautiously. The hunter on the hunt. With tenderness and simplicity, documentarian André-Line Beauparlant plunges into this world and paints the portrait of six hunters. Alternating between interviews and hunting sequences, the film overflows with breathtaking authenticity as it touches subjects such as love, death, and religion. Montcerf, the last village before Abitibi. The forest, the night, the silence... twigs snap, big black boots make their way forward cautiously. The hunter on the hunt. With tenderness and simplicity, documentarian André-Line Beauparlant plunges into this world and paints the portrait of six hunters. Alternating between interviews and hunting sequences, the film overflows with breathtaking authenticity as it touches subjects such as love, death, and religion.