Please Kill Me, I'm a Faggot Nigger Jew

The artist uses video images created directly on the computer, and stories from the archive of her own memory to ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift? The artist uses video images created directly on the computer, and stories from the archive of her own memory to ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift? The artist uses video images created directly on the computer, and stories from the archive of her own memory to ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift? The artist uses video images created directly on the computer, and stories from the archive of her own memory to ask such questions as: How does history affect the body? How are cultural memories transmitted? And, when historical events become part of a culture's discourse, how does the meaning of the original event shift?