Pression

Šimunić uses double exposure to combine footage of people and scenes from 1970s Belgrade with garish images from television shows containing elements of pornography to create an illusory film. He joins scenes from everyday life with his penchant for erotica. This debut film, which took five years to make, uses visual games to explore the limits of the human perception. Šimunić uses double exposure to combine footage of people and scenes from 1970s Belgrade with garish images from television shows containing elements of pornography to create an illusory film. He joins scenes from everyday life with his penchant for erotica. This debut film, which took five years to make, uses visual games to explore the limits of the human perception. Šimunić uses double exposure to combine footage of people and scenes from 1970s Belgrade with garish images from television shows containing elements of pornography to create an illusory film. He joins scenes from everyday life with his penchant for erotica. This debut film, which took five years to make, uses visual games to explore the limits of the human perception. Šimunić uses double exposure to combine footage of people and scenes from 1970s Belgrade with garish images from television shows containing elements of pornography to create an illusory film. He joins scenes from everyday life with his penchant for erotica. This debut film, which took five years to make, uses visual games to explore the limits of the human perception.