Primo

PRIMO was adapted by Antony Sher from Primo Levi's monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher's towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler's magnificent, symbolist set. PRIMO was adapted by Antony Sher from Primo Levi's monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher's towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler's magnificent, symbolist set. PRIMO was adapted by Antony Sher from Primo Levi's monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher's towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler's magnificent, symbolist set. PRIMO was adapted by Antony Sher from Primo Levi's monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher's towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler's magnificent, symbolist set.