Side/Walk/Shuttle

In this infamous structural film, Ernie Gehr takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a zone of constant flux, freed from gravity and in perpetual rearrangement. In this infamous structural film, Ernie Gehr takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a zone of constant flux, freed from gravity and in perpetual rearrangement. In this infamous structural film, Ernie Gehr takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a zone of constant flux, freed from gravity and in perpetual rearrangement. In this infamous structural film, Ernie Gehr takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a zone of constant flux, freed from gravity and in perpetual rearrangement.