Stairs 1 Geneva

The film comprises one hundred sequences showing a location in the city of Geneva, Switzerland. In 1994, over a period of one hundred days, one hundred white wooden staircases were installed around the city to be climbed by the public. At the top of each staircase was a simple hole framing a "living picture postcard", a perfect "cinema-image by Peter Greenaway" accompanied by a commentary of one sentence in French and English, printed below the viewfinder. Greenaway's idea was to create a reflection on location in cinema and to "take films out of the theatres". The film comprises one hundred sequences showing a location in the city of Geneva, Switzerland. In 1994, over a period of one hundred days, one hundred white wooden staircases were installed around the city to be climbed by the public. At the top of each staircase was a simple hole framing a "living picture postcard", a perfect "cinema-image by Peter Greenaway" accompanied by a commentary of one sentence in French and English, printed below the viewfinder. Greenaway's idea was to create a reflection on location in cinema and to "take films out of the theatres". The film comprises one hundred sequences showing a location in the city of Geneva, Switzerland. In 1994, over a period of one hundred days, one hundred white wooden staircases were installed around the city to be climbed by the public. At the top of each staircase was a simple hole framing a "living picture postcard", a perfect "cinema-image by Peter Greenaway" accompanied by a commentary of one sentence in French and English, printed below the viewfinder. Greenaway's idea was to create a reflection on location in cinema and to "take films out of the theatres". The film comprises one hundred sequences showing a location in the city of Geneva, Switzerland. In 1994, over a period of one hundred days, one hundred white wooden staircases were installed around the city to be climbed by the public. At the top of each staircase was a simple hole framing a "living picture postcard", a perfect "cinema-image by Peter Greenaway" accompanied by a commentary of one sentence in French and English, printed below the viewfinder. Greenaway's idea was to create a reflection on location in cinema and to "take films out of the theatres".