Tao Po

From several immersion trips and in-depth interviews conducted by performance artist-activist Mae Paner and playwright Maynard Manansala emerge four characters, four monologues that each give a human face to the issue of extrajudicial killings (EJK). A photojournalist transformed by the brutality he witnesses while covering the tokhang beat; a Zumba instructor haunted by her husband and son, both victims of summary killings; a cop who lives the double life of law enforcer and lawless hitman; and a young girl lighting candles in the “Tokhang Wall” of a Manila cemetery as she reminisces about acquaintances and loved ones, EJK victims all. From several immersion trips and in-depth interviews conducted by performance artist-activist Mae Paner and playwright Maynard Manansala emerge four characters, four monologues that each give a human face to the issue of extrajudicial killings (EJK). A photojournalist transformed by the brutality he witnesses while covering the tokhang beat; a Zumba instructor haunted by her husband and son, both victims of summary killings; a cop who lives the double life of law enforcer and lawless hitman; and a young girl lighting candles in the “Tokhang Wall” of a Manila cemetery as she reminisces about acquaintances and loved ones, EJK victims all. From several immersion trips and in-depth interviews conducted by performance artist-activist Mae Paner and playwright Maynard Manansala emerge four characters, four monologues that each give a human face to the issue of extrajudicial killings (EJK). A photojournalist transformed by the brutality he witnesses while covering the tokhang beat; a Zumba instructor haunted by her husband and son, both victims of summary killings; a cop who lives the double life of law enforcer and lawless hitman; and a young girl lighting candles in the “Tokhang Wall” of a Manila cemetery as she reminisces about acquaintances and loved ones, EJK victims all. From several immersion trips and in-depth interviews conducted by performance artist-activist Mae Paner and playwright Maynard Manansala emerge four characters, four monologues that each give a human face to the issue of extrajudicial killings (EJK). A photojournalist transformed by the brutality he witnesses while covering the tokhang beat; a Zumba instructor haunted by her husband and son, both victims of summary killings; a cop who lives the double life of law enforcer and lawless hitman; and a young girl lighting candles in the “Tokhang Wall” of a Manila cemetery as she reminisces about acquaintances and loved ones, EJK victims all.