The Dossier

Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet. Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet. Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet. Tibetan writer Tsering Woeser's efforts to document and present the reality of Tibet were considered a "political problem" by the Chinese Party-state and she was fired from her job. Since then, she has persevered as an independent writer and has continued to speak out for the sufferings of Tibetan people. Zhu Rikun, the director, came into possession of Tsering's official dossier which then became the main thread of this film. The first half of the movie is centred around her reading of the dossier; be patient as the theme grows and her interviews document the changed direction her career took including footage from Tibet.