The Grave's Sky

Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context. Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context. Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context. Rotterdam regular John Gianvito (Vapor Trail (Clark), IFFR 2010) checks in with a sensitive, homebound film diary recorded in the pandemic years 2020-2022. The watchful, wary stance of deer outside his house triggers a series of fragments associated with death, burial, mourning and care: Gianvito calls it 'a requiem'. Snatches of classic soundtracks (including Renoir's Partiede campagne, 1936) and glimpses of news broadcasts expand the private, intimate context.