The Green-Eyed Blonde

Blacklisted screenwriter Dalton Trumbo (working under the pseudonym “Sally Stubblefield”) tells a rough-edged tale of life inside a 1950s women’s reformatory. Set in the Martha Washington School for Girls—an institute for wayward teenagers and unwed mothers—THE GREEN-EYED BLONDE tackles a range of topical social issues as the inmates band together to help out one of their own when she refuses to give up her child. Blacklisted screenwriter Dalton Trumbo (working under the pseudonym “Sally Stubblefield”) tells a rough-edged tale of life inside a 1950s women’s reformatory. Set in the Martha Washington School for Girls—an institute for wayward teenagers and unwed mothers—THE GREEN-EYED BLONDE tackles a range of topical social issues as the inmates band together to help out one of their own when she refuses to give up her child. Blacklisted screenwriter Dalton Trumbo (working under the pseudonym “Sally Stubblefield”) tells a rough-edged tale of life inside a 1950s women’s reformatory. Set in the Martha Washington School for Girls—an institute for wayward teenagers and unwed mothers—THE GREEN-EYED BLONDE tackles a range of topical social issues as the inmates band together to help out one of their own when she refuses to give up her child. Blacklisted screenwriter Dalton Trumbo (working under the pseudonym “Sally Stubblefield”) tells a rough-edged tale of life inside a 1950s women’s reformatory. Set in the Martha Washington School for Girls—an institute for wayward teenagers and unwed mothers—THE GREEN-EYED BLONDE tackles a range of topical social issues as the inmates band together to help out one of their own when she refuses to give up her child.