The Lynda Myles Project: A Manifesto

Structuring this intimate and insightful portrait of Lynda Myles, academic Susan Kemp invokes a form known to define, criticise, and shift paradigms in culture – the manifesto. Meshing archival material with interview subjects including Jim Hickey and B. Ruby Rich, Kemp employs a series of provocations to tease out the philosophy behind a lifetime of ground-breaking film work. In the film's central conversation, Myles beautifully expresses the thrill of putting on a show (including the 1972 Women's Event, pioneering retrospectives of Douglas Sirk, Sam Fuller and Raoul Walsh and many more) while always avoiding the polite. Structuring this intimate and insightful portrait of Lynda Myles, academic Susan Kemp invokes a form known to define, criticise, and shift paradigms in culture – the manifesto. Meshing archival material with interview subjects including Jim Hickey and B. Ruby Rich, Kemp employs a series of provocations to tease out the philosophy behind a lifetime of ground-breaking film work. In the film's central conversation, Myles beautifully expresses the thrill of putting on a show (including the 1972 Women's Event, pioneering retrospectives of Douglas Sirk, Sam Fuller and Raoul Walsh and many more) while always avoiding the polite. Structuring this intimate and insightful portrait of Lynda Myles, academic Susan Kemp invokes a form known to define, criticise, and shift paradigms in culture – the manifesto. Meshing archival material with interview subjects including Jim Hickey and B. Ruby Rich, Kemp employs a series of provocations to tease out the philosophy behind a lifetime of ground-breaking film work. In the film's central conversation, Myles beautifully expresses the thrill of putting on a show (including the 1972 Women's Event, pioneering retrospectives of Douglas Sirk, Sam Fuller and Raoul Walsh and many more) while always avoiding the polite. Structuring this intimate and insightful portrait of Lynda Myles, academic Susan Kemp invokes a form known to define, criticise, and shift paradigms in culture – the manifesto. Meshing archival material with interview subjects including Jim Hickey and B. Ruby Rich, Kemp employs a series of provocations to tease out the philosophy behind a lifetime of ground-breaking film work. In the film's central conversation, Myles beautifully expresses the thrill of putting on a show (including the 1972 Women's Event, pioneering retrospectives of Douglas Sirk, Sam Fuller and Raoul Walsh and many more) while always avoiding the polite.