The Wad and the Worm

Early experimental claymation. This is the second recreated version of the film. "I was 13 and had seen the amazing "abstract jazz claymation: short, CLAY, OR THE ORIGIN OF THE SPECIES by Eliot Noyes. I was totally copying that film when I made this. I entered this film in a local high school film festival, won first place, and got the attention of Larry Herndon of Keitz and Herndon, a Dallas animation company. Herndon set me up with a 35mm camera and professional lights, and had me reshoot the claymation. By this time, I had forgotten about Nosey' film and that I had simply imitated it. So, for the 35mm second version, I THOUGHT I was just imitating myself. That second WAD was entered (by the National Information Agency, a branch of the CIA) in foreign amateur film festivals all over the world and won yet more awards." Early experimental claymation. This is the second recreated version of the film. "I was 13 and had seen the amazing "abstract jazz claymation: short, CLAY, OR THE ORIGIN OF THE SPECIES by Eliot Noyes. I was totally copying that film when I made this. I entered this film in a local high school film festival, won first place, and got the attention of Larry Herndon of Keitz and Herndon, a Dallas animation company. Herndon set me up with a 35mm camera and professional lights, and had me reshoot the claymation. By this time, I had forgotten about Nosey' film and that I had simply imitated it. So, for the 35mm second version, I THOUGHT I was just imitating myself. That second WAD was entered (by the National Information Agency, a branch of the CIA) in foreign amateur film festivals all over the world and won yet more awards." Early experimental claymation. This is the second recreated version of the film. "I was 13 and had seen the amazing "abstract jazz claymation: short, CLAY, OR THE ORIGIN OF THE SPECIES by Eliot Noyes. I was totally copying that film when I made this. I entered this film in a local high school film festival, won first place, and got the attention of Larry Herndon of Keitz and Herndon, a Dallas animation company. Herndon set me up with a 35mm camera and professional lights, and had me reshoot the claymation. By this time, I had forgotten about Nosey' film and that I had simply imitated it. So, for the 35mm second version, I THOUGHT I was just imitating myself. That second WAD was entered (by the National Information Agency, a branch of the CIA) in foreign amateur film festivals all over the world and won yet more awards." Early experimental claymation. This is the second recreated version of the film. "I was 13 and had seen the amazing "abstract jazz claymation: short, CLAY, OR THE ORIGIN OF THE SPECIES by Eliot Noyes. I was totally copying that film when I made this. I entered this film in a local high school film festival, won first place, and got the attention of Larry Herndon of Keitz and Herndon, a Dallas animation company. Herndon set me up with a 35mm camera and professional lights, and had me reshoot the claymation. By this time, I had forgotten about Nosey' film and that I had simply imitated it. So, for the 35mm second version, I THOUGHT I was just imitating myself. That second WAD was entered (by the National Information Agency, a branch of the CIA) in foreign amateur film festivals all over the world and won yet more awards."