Third Nature

The essay perceives algorithms as a “living” species and gives them the space to co-create their own space, evoking reflections on naturalness and artificiality, the nature of habitus, and the border between fiction and documentation, in the scenery of a lyrical film shot within the computer games Grand Theft Auto 5 and theHunter: Call of the Wild. The essay perceives algorithms as a “living” species and gives them the space to co-create their own space, evoking reflections on naturalness and artificiality, the nature of habitus, and the border between fiction and documentation, in the scenery of a lyrical film shot within the computer games Grand Theft Auto 5 and theHunter: Call of the Wild. The essay perceives algorithms as a “living” species and gives them the space to co-create their own space, evoking reflections on naturalness and artificiality, the nature of habitus, and the border between fiction and documentation, in the scenery of a lyrical film shot within the computer games Grand Theft Auto 5 and theHunter: Call of the Wild. The essay perceives algorithms as a “living” species and gives them the space to co-create their own space, evoking reflections on naturalness and artificiality, the nature of habitus, and the border between fiction and documentation, in the scenery of a lyrical film shot within the computer games Grand Theft Auto 5 and theHunter: Call of the Wild.