Vetkoek

He developed a method of filmmaking that he dubbed “poor-man’s animation,” in which he photographed charcoal drawings and collages as he gradually adjusted them, as in the early films Johannesburg, 2nd Greatest City After Paris (1989) and Monument (1990). He developed a method of filmmaking that he dubbed “poor-man’s animation,” in which he photographed charcoal drawings and collages as he gradually adjusted them, as in the early films Johannesburg, 2nd Greatest City After Paris (1989) and Monument (1990). He developed a method of filmmaking that he dubbed “poor-man’s animation,” in which he photographed charcoal drawings and collages as he gradually adjusted them, as in the early films Johannesburg, 2nd Greatest City After Paris (1989) and Monument (1990). He developed a method of filmmaking that he dubbed “poor-man’s animation,” in which he photographed charcoal drawings and collages as he gradually adjusted them, as in the early films Johannesburg, 2nd Greatest City After Paris (1989) and Monument (1990).