Wa Drari

For 8 months, the director, who signs with this documentary her first film, knew how to be accepted within the group Shayfeen. For the under thirty, Shayfeen is one of the figures of the Moroccan Rap scene. Shobee and Small X, two young people with complicated family lives, meet in Safi in 2006. Children of the new millennium, they have the verb and easy melody. Without makeup, with discretion and attention to detail, the camera of Fatim Zahra Bencherki reveals, through them, a complex youth, surprising, who sometimes feels "unloved" and is often a mirror of our contradictions. For 8 months, the director, who signs with this documentary her first film, knew how to be accepted within the group Shayfeen. For the under thirty, Shayfeen is one of the figures of the Moroccan Rap scene. Shobee and Small X, two young people with complicated family lives, meet in Safi in 2006. Children of the new millennium, they have the verb and easy melody. Without makeup, with discretion and attention to detail, the camera of Fatim Zahra Bencherki reveals, through them, a complex youth, surprising, who sometimes feels "unloved" and is often a mirror of our contradictions. For 8 months, the director, who signs with this documentary her first film, knew how to be accepted within the group Shayfeen. For the under thirty, Shayfeen is one of the figures of the Moroccan Rap scene. Shobee and Small X, two young people with complicated family lives, meet in Safi in 2006. Children of the new millennium, they have the verb and easy melody. Without makeup, with discretion and attention to detail, the camera of Fatim Zahra Bencherki reveals, through them, a complex youth, surprising, who sometimes feels "unloved" and is often a mirror of our contradictions. For 8 months, the director, who signs with this documentary her first film, knew how to be accepted within the group Shayfeen. For the under thirty, Shayfeen is one of the figures of the Moroccan Rap scene. Shobee and Small X, two young people with complicated family lives, meet in Safi in 2006. Children of the new millennium, they have the verb and easy melody. Without makeup, with discretion and attention to detail, the camera of Fatim Zahra Bencherki reveals, through them, a complex youth, surprising, who sometimes feels "unloved" and is often a mirror of our contradictions.