Whore Revolution

Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place." Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place." Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place." Whore Revolution is led by members of the organizations OMESPRO La Paz and OMESPRO Santa Cruz; These become builders of a story that makes use of a symbolic lever to transfer the central discussions of the whore universe to a political and poetic space. The film is structured in four parts with their own entity, which together make up a piece that has the vocation and versatility to invade all types of spaces—except virtual ones. María Galindo turns the camera and questions the viewer: "Without money and without work... I want to see you in my place."