…from Bulgakov

…from Bulgakov

5.5 Drama, Documentary Rated: 1999 0h29m On: Country: Ukraine
Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself. Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself. Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself. Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself.
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